The Writings of WW Stevens

Tag: Grappling

Terminology is Important, But Not That Important

One of the easiest arguments to find yourself having in mixed martial arts circles is not about ring control, or the right way to handle the calf kick, it’s about what you call that one move. And it can be a fun argument to have, but sometimes people take it a little too seriously and you’re left wondering if everything is okay at home. You may think, “It’s just a word, the move is the same.” Or you could be thinking, “You need to say it right, you need to understand what you are communicating.” And yeah, two things can be true. So what is up with martial terminology?

Terminology Gives Us Common Language to Recognize Complexities

By having more standardized words, we can differentiate between similar movements, tools, and concepts. At a beginner level, this is not too important, but as one moves into intermediacy it becomes more necessary. Details make the difference between a jab that connects and a jab that really hurts. So if you have a word to differentiate the two, you are ahead of someone who just understands the jab as one or the other. This extends to all aspects of martial arts. Footwork requires finesse, fight strategies need detail, even workouts need differentiation. 

Terminology Allows Us to Communicate How We See a Topic

By exploring terminology, we can understand how different arts and teachers treat certain tools. For instance, we have the armbar. In English speaking arts like Catch, we generally call it an armbar, showing that the lock attacks the arm by straightening or “barring” it. It is a simple and effective way to explain the concept. The details will change from technician to technician, so don’t get bogged down when you first learn it. The same is true in BJJ, even in Brazilian it translates to armbar or armlock. In arts like Judo, it is termed juji-gatame, or ude-hishigi-juji-gatame.

We can learn a lot just from this single term. “Juji” is the same kanji for “jujika” or “cross”, which can denote the right angle one takes to the opponent’s body, but also the manner in which the arm is outstretched. The next part is even more interesting, “gatame” is used for pins and certain locks. Most joint locks in Judo use the term “garame”, but certain joint locks have the term “gatame” instead. So why is that? Well the principle is that locks like armbars (juji-gatame) and head and arm choke (kata-gatame) can be used to effectively pin an opponent as well as submit them. On the flip side, “garame” means to entangle or twist. On top of all of this, “ude-hishigi” (arm break) denotes that this movement is a type of arm submission, that it causes pain. Look at how much information and context is contained in essentially four words. This is just one movement and we can see what the priority is in each art.

Terminology Can Cause Separation Due to Interpretation or Similarity

Unfortunately, sometimes we get so focused on terminologies that we forget to actually focus on the techniques. Terminology can cause conflict among groups that at the end of the day, doesn’t even matter. You may call it a double-wristlock, I call it a figure-4, and someone else calls it a kimura. At the end of the day, we’re all ripping some guy’s arm out of its socket. But how much time is spent arguing over these words? What’s more important is discussing details of the movement or technique. You can call it whatever you want, but if you can’t do it, it doesn’t matter. As helpful as terminology is, it is just a tool for communication. It is not the Gospel truth.

Terminology Can be Used to Create In-Groups and Out-Groups

This phenomenon is particularly frustrating. I have seen it most in kung fu circles. To give an example, in Wing Chun we have a drill called chi sau. It’s a sticking hands game used to teach the trapping range. At the beginning stages you are just trying to learn how to feel your opponent and stick to them to trap or strike. As you advance you start including footwork, head movement and Wing Chun’s full range of tools. Advanced chi sau is not sparring or fighting, but it is closer than beginner chi sau. Where I train we just call that advanced chi sau or sheung (double) chi sao, but in Cantonese it is often called “gor sau.” But we’re already inundating the students with all sorts of terms from a language they don’t know. We don’t need to overcomplicate something that can be said in English.

Some other Wing Chun schools don’t like that and have implied that my Wing Chun is bastardized or inauthentic. And it’s not that I don’t know words like “gor sau,” just that I don’t use them in general parlance. But I can actually fight with my Wing Chun, so they can keep gor sau.

Terminology is a Tool

When we focus on the terminology, we can learn a lot about the art or curriculum we are studying. As a self-professed word nerd, I really recommend that people dig into the terminology of their arts. You can learn a lot about the art, the history of the art (which most people forget), and it can even improve your form.  But I also have to caution against getting focused on what each person calls it. Unless you are the developer of a school’s curriculum, it’s not your job. Don’t argue whether it’s a “head and arm choke” or “arm triangle”. It’s both. It’s neither. No one cares, go train.

Chi Sao is Grappling for Striking; What Can it Teach Us?

When people research Wing Chun online, the first thing they probably see is two practitioners playing the game of chi sao. It might seem like an overcomplicated game of patty-cake, but what it is really simulating is the moment of clashing. Chi sao is the term used for a large series of sensitivity drills and a game that comes from the same starting position. By staying in this moment, we develop sensitivity in our arms and legs so that we can navigate past our opponent’s limbs to strike. We’re learning to feel what the eye fails to see.

In all striking arts, we have to deal with reaching our opponent and not getting hit. Wing Chun seeks to do so with the art of trapping: seizing an opponent’s limb to capitalize on an opening.

Chi sao is all about navigating and seizing limbs, creating openings and going for the kill. Chi sao, like all trapping, is grappling. It is generally grappling with the goal of striking.Wing Chun as a whole has a spectrum of lots of grappling to no grappling. Some schools grapple, some only seek to punch. Chi sao obviously has its uses in striking contexts, but what can it bring us in the broader context of fighting? I put it to you that chi sao is an excellent addition to any grappler’s hand fighting. 

Below are some techniques that can be employed in chi sao that benefit hand fighting. For the purposes of this article, I am using the terminology of Wing Chun. This is not to complicate, but rather to give grapplers an avenue into understanding a bit of gung fu, as well as give some practitioners of Wing Chun a more expanded view of their toolbox.

Sheung Lop Sau

(Double Pulling Hand)

Wing Chun’s method of arm drag might feel a little bit stiff compared to Folkstyle or BJJ, but that’s because Wing Chun focuses on losing as little balance or opportunity as possible. Nonetheless, I highly recommend taking a look, as it may improve your arm drag opportunities.

A standard entry for the dai lop sao comes from the nucleus of chi sao. When our opponent pushes our left limb, we sneak our right hand underneath, like a snake. Once this happens, we snatch their right arm with our right hand and add our left hand to the effort.

A more dynamic set-up for this can be drilled as a defense against a collar tie attempt. When your opponent reaches forward, shoot out your right hand like a spear to clash against it and bring your left hand to the tricep. With one hand to grip each section of the arm, turn and snatch that arm to the ground.

Huen Sao + Tok Sao and var. With Tan Sao + Jut Sao

(Circling Hand + Lifting Hand) (Dispersing Hand + Yanking Hand)

In Wing Chun, we have a tool called the huen sao (circling hand). This is a flick of the wrist that sends an outstretched hand flying. We often use it to take the inside line and hit. In this example for grappling, we will use the same concept.

We’ll take the huen sao to their lead hand and send it outward, as they look to recover space, we’ll shoot that hand under the armpit with a tok sao (lifting arm), thus giving us the underhook.

This basic concept can be improved by performing a defensive tan sao + jut sao with the other hand. A tan sao is a simple open hand wedging motion. Jut sao refers to pulling or yanking towards your core. Think of a tan sao like offering some candy to a friend, and the jut sao is you snatching it away. So while you navigate past their lead hand with your huen sao, you can shut down the back hand with the tan sao and even turn it into a wrist tie with the jut sao.

Pak Sao + Fuk Sao

(Slapping Hand + Bowing Hand)

This one comes in handy when defending against a wrist or elbow tie. For the sake of demonstration, let’s say your opponent reaches for your left hand with their right. This is where you apply a right pak sao (slapping hand) to the inside of their arm and shoot your left hand forward to latch a fuk sao (bowing/hooking hand) on their neck.

Sheung Jut Sao + Sheung Tok Sao

(Double Yanking Hand + Double Lifting Hand)

This is one is not reacting to your opponent, but rather just attacking an opening and moving into the clinch. Many grapplers keep their hands forward, but lower toward the chest/belly, in order to handle attacks to the head as well as shots to the legs. If you are facing an opponent who routinely keeps their hands low, you can capitalize by seizing their arms with two jut saos. Think about grabbing at the fat of the thumb, where it coincides with the palm. After this, shoot your hands underneath their armpits to get double underhooks.

Why We Need Specialists

First let’s define a specialist. A specialist is someone who focuses on one area of study or one art. So someone who only boxes is a specialist, just like someone who only grapples. But being a specialist can also mean someone who is focused on self defense, someone into ancient weapons, or someone who only focuses on sport fighting. A nak muay and a point fighter are both kickboxing specialists, but on different ends of the scale. So why do we need these guys?

Some People Don’t Want to Mix Their Martial Arts

We’ll start with an easy one. Some people just want to learn one aspect of fighting. It may be a preference for sport, such as boxing. Or they might have a concern for defense, but wish to handle it more gently, like Jiu-Jitsu. It could also be from a cultural connection, like folk wrestling styles. Sumo is not only a badass sport, it’s a point of national pride and cultural heritage for many Japanese people. While I for one love to learn all the nooks and crannies of fighting, I know many people who just want to box, wrestle, or do kung fu. And that’s okay. In fact, it’s great. Because this gives them something that I don’t have, which leads me to my next point.

Specialists Have a Greater Understanding of their Field than a Jack-of-all-Trades

A kickboxer will outclass a mixed martial artist on striking. A wrestler will do the same on the ground. They have more reps in that area and they have studied it more intensely, understanding concept and theory on a deeper level. This is why MMA fighters have striking, grappling, and conditioning coaches. They depend on people who focus on portions of the game to give them an edge and ensure they are performing to the best of their abilities. These understandings can go even deeper as well.

A grappler with decades of practicing Greco will have a better understanding of clinch grappling than a BJJ or Freestyle practitioner. So these specialists can look at a fighter and help them develop tools that fit their style. Now the flip side of specialists is also true. Generalists show the weaknesses and strengths of particular strategies. They help specialists understand the nature of their techniques more deeply, even if the generalist may not realize it.

Specialists Maintain Knowledge for Future Generations

This goes back to my point of specialists having a greater understanding of their field. Specialists can keep their arts or fields of study a priority. They don’t forget techniques and concepts just because they’ve gone out of vogue. We’ve all seen it happen, where someone shows off a move that they developed only for others to say, “Yeah we’ve been doing that for like a hundred years.” Human knowledge is not a constant pile that we all access equally. It is a flowing amorphous collection of understandings. Languages can be lost; so can artistic methods and even combative techniques.

This is probably my favorite aspect about specialists. As someone who spent much of their childhood in libraries, I love specialists. They’re like human textbooks. Consider a teacher like Roy Wood. He’s one of the foremost authorities on Catch as Catch Can wrestling in the world and he just wants to share this style and preserve what’s been given to him. Do his students have to only study Catch? No. Is he going to show them everything Catch has to offer? Absolutely. To be a specialist is to preserve knowledge that even you may not realize will be so helpful or revolutionary to someone.

What Does This Mean for You?

It means you get to decide what you want to learn. If you just want to study one art or area of combat, you can do that. If you want to study everything you can, then you can do that. But we have to recognize that there are tradeoffs to each method. For example, as a generalist I will never be as good at boxing or grappling as my specialist contemporaries, but in an MMA or street context, I have the option to take them where they aren’t comfortable. Would I win? I don’t know. But I’d certainly be harder to beat. In their disciplines, I’ll almost assuredly lose and my understanding of technique may never become as refined as theirs. But that’s okay.

We still learn from each other and we each have our roles in our martial communities. What we shouldn’t do is give in to tribalism and naysaying. What’s good will prove itself and what isn’t will fall by the wayside. Don’t worry, just have fun and train hard. And if you find a detail or intricacy that boosts your fight game, be sure to thank a specialist.

Keeping it Clean on the Mats

Even before the coronavirus pandemic, we martial artists have always had cleanliness as a rule. One of the many reasons for this is that we are constantly in close contact with each other. We spread sweat, blood, and spit.

We have to take personal cleanliness seriously. It’s not just viruses we worry about. Martial arts gyms can be a breeding ground for fungal infections and even parasites. Most gyms work hard to make sure this isn’t the case.

As students, we also have responsibilities to stay clean and healthy. Below are some ideas to help you do so:

  1. If You Work Labor, Don’t Wear the Same Shirt You Worked In
    A lot of you already know to just have a change of clothes. But sometimes, someone shows up with a shirt full of grease or pants that have mud caked in. In most gyms, this isn’t a problem, since that person will be expected to change into a gi or gym clothes. Some self defense schools allow students to wear street clothes so they understand how to fight in them. Don’t be the guy who smells like ass. Bring a change of clothes.
  2. Carry Some Cleansing Wipes in Your Gym Bag
    To some this may sound silly, to others it sounds standard. Just get some flushable wipes to hit yourself with before and maybe after class. There are even separate kinds made for facial care. Don’t flush them though. While some wipes labeled flushable are indeed so, others are not. It can be hard to tell which are degradable in a sewage environment. So it’s safer to just throw them in the bin, especially when you’re using them for a quick cleanup.
  3. Never Wear Outside Shoes on the Mat
    This might seem to be a “no doy” statement, but it does need to be said. If you wear shoes when training on mats and indoors, get some wrestling or boxing shoes. Only wear these shoes when you are training. I recommend high tops, but that’s just my preference. Otherwise, if you’re training at a dojo or kwoon where no shoes are used, you’re all good.
  4. Clean Your Gear Regularly
    Be sure to wipe down your sparring gear, training pads, and other tools that take consistent use and sweat. Make sure that your gloves can dry out. It’s not common, but occasionally, closed hand gloves like boxing gloves can grow fungus. This can be combated by wearing hand wraps and washing those. Occasionally, it is also good to wash the inside of your gloves with soap and warm water. I use a soft toothbrush to help with this. Be sure that the gloves get a chance to dry after this. Glove deodorizers can help as well, but mostly just add a nice scent.
  5. Clean Yourself Regularly
    Shower consistently. Wear deodorant. Clip your nails. If you have long hair, be sure to comb it and put it in a protective hairstyle. All of these things will help you and your partners stay healthy.
  6. Clean Your Space Regularly
    Oftentimes, in traditional martial arts spaces, this is standard. Students will help to clean the mats and equipment. In some gyms, this is less common. Don’t be surprised if an instructor has students clean the mats. That is a part of the culture. If that’s not a part of your gym’s culture, that’s okay. The employee(s) will have general cleaning duties anyway. 
  7. Talk to Your Instructor When You Have Caught Something
    This could be a cold, a fever, or something like ringworm. Either way, let them know. If you still want to come to class, they may ask that you sit and observe, instead of engaging. If you have something respiratory, it’s good form to wear a mask. This is fairly common in many other countries, but isn’t a routine behavior across the board. Personally, I would like to see more of it.

With all this being said, most of this boils down to the ever present common sense. If you’re not sure about something, talk to your instructor or a student you trust. Different arts and different gyms will have different cultures of cleanliness. You can handle it as it comes to you.

Pressure or Flow? The Greatest Argument That Needn’t Exist

Oftentimes in grappling circles there comes the great debate: Which is more important, pressure or flow? While many agree that the two are essential to the game, we all have a favorite. Since we’re a community of people who fight for fun, a lot of posturing ends up making it an either/or situation. So here I am, writing this article in an attempt to show the merits of both concepts.

Pressure

Pressure is making your opponent carry your weight, but it is more than that. Pressure can pull someone in as much as it crushes. Pressure is also the concept of taking territory and not letting them take it back. Here are some ways pressure benefits a fighter:

  • Use pressure from a dominant position to wear out your opponent and keep your cool.
  • Use pressure from a negative position to keep good structure and find an escape.
  • Pressure passes are godly.
  • Pressure creates the pin. 
  • Pressure keeps your opponent on the defense.

So where do we see this breakdown? The first issue is not all pressure is good pressure. Effective pressure is debilitating and precise. If your only goal is to lay your weight on them, you will get eaten alive by fighters your own size. This happens a lot to bigger guys in gyms. It’s a valid tactic against a smaller dude, but you have to learn the details of every ride and pin. You want to think about giving them only bad options. Make them want to give you the back; make them want to pull away so you can sweep. Proper pressure can help a smaller fighter control larger and stronger opponents. Check out a tiny woman practice her pin on a bricklayer here. On the other side, you can always watch Jordan Burroughs go over pins for wrestling. Regardless of the arena, pressure exists in three ways: weight, structure, and control. Next time you grapple, think about where you are applying pressure. Check your structure, make sure your weight is balanced, and see how well you can control.

Flow

In modern grappling, we can see our understanding of flow come from Brazilian jiu-jitsu. Flow in this sense refers to the smooth ease of movement found within good grappling. In this sense, it may also be called “floating” in some circles. It also refers to the practice of rolling with very little strength or pressure. The point of such exercises is to allow the grapplers to focus on their fundamentals and find themselves in new positions. It also helps:

  • Smaller fighters practice with larger ones, older and younger, etc.
  • You learn new entries into positions and techniques.
  • You better understand the dynamic nature of the fight.
  • You get to practice when recovering or simply tired.

Flow rolls are a good thing, but sometimes grapplers get caught by the siren call of making flow their whole game. Your opponents won’t allow that.

So how does flow become a bad thing? It doesn’t, but we make bad decisions. Sometimes, while working a drill, people try to be cooperative, but instead become a dead fish. It is the groundfighting equivalent of sticking an arm out there and letting the tori do a fifteen count combo.

There has to be some energy from each participant. Without it, the exercise becomes detrimental to your ground game. In my experience, the point of flow is responding to your opponent, instead of trying to force something. With flow drills, you have to give each other real energy and have a goal in mind. If you focus so much onto flowing from position to position, you don’t give yourself the chance to really lock them in. I think it’s fair to say, grappling is about control. It’s important to make sure you have true control of yourself and your position.

Pressure and Flow

It’s up to each of us to find our own balance between the two. Anyone who has competed can tell you once there’s glory or reputation on the line, we all use every tool at our disposal. So someone who doesn’t have broad shoulders and greater weight, flow might be a larger part of their arsenal. For someone with a more classical wrestler’s build, pressure is probably their preferred method. So don’t worry what works best for others, worry about what works best for you. The only way to do that is to keep an inquisitive mind and stay on the mats.

Here are some ways you can maintain a solid understanding of both:

  • Make sure your technique is rock solid during rolls, check your structure constantly.
  • Occasionally add strength back in.
    Technique + Strength = Win
  • Have light rolls and heavy rolls.
  • Wrestle with everyone you can find. At least everyone who isn’t a real asshole.
  • Destroy your ego. Don’t refuse to tap until you’re broken and don’t force a submission either. You’re not in the ring, you’re rolling with friends.
  • Always stress the basics. Your foundation is what keeps you formidable.